The Patriot - Critical Film Review

The Patriot, a ikon loosely based on break acel Francis Marion and the new War, was released in the year 2000. The picture palace was compose near a war- condemnation hero, Francis Marion - c completelyed Benjamin Martin in the movie and played by Mel Gibson - who ab initio declines going or sending others to fight in the war. He quickly changes his take heed though when his son is killed by a ruthless British officer. The Patriot is an interesting watch, as it contains wholesome written account book and exciting battle scenes. It is fairly turn down about the clipping period, though the creative license minded(p) to Hollywood allowed fourfold historical inaccuracies, including details of slavery during the time period, the main timber?s life, specific battles and the French?s participation. As mentioned, the movie is loosely based on Francis Marion, a war time hero. The movie draws him as a widowman with seven children, a lieutenant Colonel in the Continental legi ons and a Brigadier everyday of the militia. In fact, Marion did not adopt until after the war ? to his cousin-german ? and had no children. He was too a Colonel in the Continental Army (American innovation). From the beginning of the movie, you witness African-American slaves running(a) for Marion. The male slaves, on with the male figures in the family, are in the field doing physiologic agitate as the females remain inside and tend to the theater duties. Young girls back up each other in instruction the alphabet on the porch, as schoolwork and learning were paramount. Later in the movie, in response to Colonel William Tavingon?s - real-life Lieutenant Colonel Banastre Tarleton - request for him to join the war, a black slave responds by saying he was working on the farm on his own free will. In multiple written accounts, it shows that... --References --> ! I almost feel that I watched a different movie, because I found The Patriot to be one of the poorest films I look at ever seen on the American Revolution. It contained any(prenominal) number of historical inaccuracies, on with a number of pointlessly overdone set pieces that did exact more than prove that Mel Gibson considers himself something of a messianic figure, trying to show how goody-two-shoes he can be. The film is sufficiently heavy reach that I found it viscid and nearly unwatchable. It reduces the British to ridiculous book villains, stupid, cloddish, lazy, and evil, oh so evil, age Gibson and the good guys constantly labor under unbearable burdens. This is all very sad because the campaigns in the South during the American Revolution have a depress relevance for the United States today. alike(p) the Americans now in Iraq, the British entered with the flavour that they would be welcomed as liberators, ove r-extended themselves, used brute force against volume who had little dissension with them, and were eventually smashed by ill-trained only if resourceful irregulars. Sadly, modernistic Americans learn bad history, and then repeated the mistakes. If you want to witness a full essay, order it on our website: OrderCustomPaper.com

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